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Syllabus 2023-24 - 12113012 - Creation and Performance of Vocal Music (Interpretación y creación: vocal)

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  • Level 1: Tutorial support sessions, materials and exams in this language
  • Level 2: Tutorial support sessions, materials, exams and seminars in this language
  • Level 3: Tutorial support sessions, materials, exams, seminars and regular lectures in this language
DEGREE: Grado en Educación primaria (12113012)
FACULTY: FACULTY OF HUMAN SCIENCES AND EDUCATION
DEGREE: Grado en Educación infantil (12013030)
FACULTY: FACULTY OF HUMAN SCIENCES AND EDUCATION
ACADEMIC YEAR: 2023-24
COURSE: Creation and Performance of Vocal Music
SYLLABUS
1. COURSE BASIC INFORMATION
NAME: Creation and Performance of Vocal Music
CODE: 12113012 (*) ACADEMIC YEAR: 2023-24
LANGUAGE: English LEVEL: 1
ECTS CREDITS: 6.0 YEAR: 3 SEMESTER: SC
2. LECTURER BASIC INFORMATION
NAME: BARRANCO VELA, NATALIA
DEPARTMENT: U109 - DIDACTICA EXPR. MUSICAL PLASTICA y CORP.
FIELD OF STUDY: 189 - DIDÁCTICA DE LA EXPRESIÓN MUSICAL
OFFICE NO.: D2 - 139 E-MAIL: nbvela@ujaen.es P: 953 213580
WEBSITE: https://www.ujaen.es/departamentos/didexp/contactos/barranco-vela-natalia
ORCID: -
LANGUAGE: - LEVEL: 1
3. CONTENT DESCRIPTION

THEME I: Fundamentals of spoken and sung vocal technique.

  1. Spoken voice and sung voice: points in common. Mechanisms of phonation.
  2. Breathing as the basis of vocal emission.
  3. Sound possibilities of the voice: vocal creation through resonance, projection and articulation.
  4. Vocal types. The infant voice and the adolescent voice.
  5. Teaching singing: vocal technique and interpretation
  6. Vocal hygiene tips: prevention of vocal risks.

THEME II: Teaching singing and its didactics.

  1. The didactics of singing throughout history.
  2. The main methods of teaching singing today
  3. How to teach singing: proposals for vocal technique sessions.

THEME III: Vocal repertoire at school

  1. The importance of group musical practice as a socialising process.
  2. The monotonous child. Suggestions for vocal work in class and the improvement of the level of interpretation.
  3. The school choir.
  4. The repertoire: selection criteria.
  5. How to evaluate multicultural materials.
  6. Creation and adaptation of materials for school vocal ensembles.

THEME IV: Conducting techniques

  1. Vocal ensembles and the choir director.
  2. Gesture. Tuning.
  3. Rehearsal. Techniques for choral work.

THEME V: Improvisation and vocal creation.

  1. Vocal identity and timbre recognition practices.
  2. How to create sound environments with our voice: sound expression and interpretation.
  3. Repertoire interpretation and vocal improvisation.

The contents and competences of this subject integrate the following SDG:

Goal 3: Ensure healthy lives and promote well-being for all at all ages.

Goal 4: Ensure inclusive and equitable quality education and promote lifelong learning opportunities for all.

Goal 5: Achieve gender equality and empower all women and girls.

Goal 16: Promote just, peaceful and inclusive societies.

4. COURSE DESCRIPTION AND TEACHING METHODOLOGY

The methodology will be active and will promote meaningful learning through the experience of vocal practice. The sessions will always have a theoretical-practical character, in which reflection, self-perception, participation and involvement of the students will be promoted.

1. Theoretical classes. The starting point will be the presentation of the central idea of the subject under study, from which initiation, research and evaluation activities will be developed.

2. Practical classes. These will focus on sessions on vocal technique and interpretation, choral conducting, creation and improvisation, and the development of critical judgement.

3. Directed academic activities: Students will carry out two projects, previously agreed with the teacher, in which they will expand on theoretical content and questions that arise during the course, through research in specialised bibliography and their own creativity.

Students with special educational needs should contact the Student Attention Service (Servicio de Atención y Ayudas al Estudiante) in order to receive the appropriate academic support

5. ASSESSMENT METHODOLOGY

The grading system will be governed by the provisions of Royal Decree 1125/2003, which establishes the European credit system and the grading system for official university degrees. In order to pass the course, both the theoretical and practical parts must be passed. Students will not be able to pass the course with spelling mistakes in the exam or written tests.

For those students who opt for a single assessment (no attendance to the course and no group arrangements), the assessment tests will consist of: theoretical exam (30%), musical practice (40%) and presentation of work (30%) of analysis and pedagogical intervention of repertoire, being necessary to pass all the parts to make the average. The tests and presentations will take place in person on the official date and time set.

6. BOOKLIST
MAIN BOOKLIST:
  • Teaching kids to sing . Edition: -. Author: Phillips, Kenneth H. (Kenneth Harold). Publisher: Schirmer Books  (Library)
  • Choral conducting: philosophy and practice . Edition: -. Author: Durrant, Colin. Publisher: Routledge  (Library)
  • Sound advice: becoming a better children's choir conductor. Edition: -. Author: Ashworth Bartle, Jean. Publisher: Oxford University Press  (Library)
  • history of singing [electronic resource]. Edition: -. Author: Potter, John (Tenor), author.. Publisher: Cambridge University Press  (Library)
  • Building choral excellence: teaching sight-singing in the choral rehearsal . Edition: -. Author: Demorest, Steven M.. Publisher: Oxford University Press  (Library)
  • Choral pedagogy . Edition: 2nd ed.. Author: Smith, Brenda (Brenda Jo). Publisher: Plural Pub.  (Library)
7. VIRTUAL / CLASSROOM TEACHING SCENARIO

1- TEACHING METHODOLOGY AND TRAINING ACTIVITIES

Training activities

Format (face-to-face/online)*

Teaching methodology. Description

21 Practical sessions in specialised laboratories

50% face-to-face

-Development of 14 practical sessions, each lasting one hour, in the specific classroom, following the rotation system by groups stipulated by the Centre. In these sessions, active music education methods will be applied to vocal practice (individual and group singing) and musical resources available in the classroom will be used. Practices involving group interaction, such as ensemble pieces or vocal ensembles, will be reserved for these sessions.

- Development of 7 practical sessions, each lasting two hours, by videoconference from the classroom or other spaces and, in all cases, making use of telematic media. The grouping of students in these sessions may vary depending on the type of practice, and subgroups of a few students may be formed if necessary. Those practices that do not require classroom resources (singing and individual creative proposals, resolution of exercises or cases and auditions) will be reserved for these non-face-to-face hours.

14 Theory sessions on the contents of the programme

50% face-to-face

14 sessions of participative master classes, of variable duration depending on the week (from one to one and a half hours), held in the classroom or other spaces (non-classroom weeks). Periodic rotation of students following the criteria approved by the Centre. Classes will be retransmitted synchronously by videoconference to the rest of the group in the weeks of blended learning.

2 Sessions of directed academic activity (AAD) in small groups for problem solving/exercises and autonomous work

Face-to-face (50%)

These will consist of 2 virtual sessions, in small groups, each lasting one hour, dedicated to solving problems in the development of the required practice (vocal repertoire assembly). If necessary, students may be authorised to rehearse in the specific classrooms in weeks when they are not in attendance, with the prior permission of the Centre, and taking all safety and hygiene measures in the groupings and use of the material.

Tutorials (individual and group)

Face-to-face + Online

Some tutoring sessions will be face-to-face and others online (synchronous and asynchronous). It is compulsory to have at least one collective tutorial in a small group to carry out the AAD. It is highly recommended to have at least one individual tutorial during the four-month period.

 

2- EVALUATION SYSTEM


Regular exams

Assessment test

Format (face-to-face/online synchronous or asynchronous)

Description

Percentage

 

Theoretical exam

Face-to-face synchronous (full group)

Test (collective) containing short-answer questions, practical cases, etc.

20%

Musical practice-performance

Synchronous face-to-face (with individual call)

Oral test (individual and in small vocal groups). Vocal practice, choral singing and conducting (performance of pieces from the repertoire worked on, individual selection as well as arrangements and/or own creations) will be assessed.

40%

Assignments

Presential synchronous/asynchronous

Correction of the required work (individual and group): academic work of analysis and pedagogical intervention on a repertoire of songs. The following aspects will be assessed:

  • Structure of the work.
  • Quality of the documentation.
  • Originality.
  • Spelling and presentation.

20%

Control sheet

Face-to-face-not face-to-face. Synchronous

Control of face-to-face and/or virtual attendance (Google Meet Attendance) as well as active participation in class (participant observation) and involvement in the working group.

20%

In order to pass the course, it will be necessary to pass the separate parts (theory exam, vocal practice and individual work).


Retake exams

Evaluation test

Format (face-to-face/online synchronous or asynchronous)

Description

Percentage

Same as in the regular exams (students who have taken the course).

For those students who choose the single assessment (no attendance to the course or delivery of group arrangements), the assessment tests will consist of: theoretical exam (30%), musical practice (40%) and presentation of work (30%) of analysis and pedagogical intervention of repertoire, being necessary to pass all the parts to make the average. The tests and presentations will take place in person on the official date and time set.

 

3- RESOURCES

Music Classroom, equipped with musical resources (piano and various musical instruments, video projector and video camera, mirrors, wooden floor, sound equipment, music editing and audio programmes, didactic materials for Musical Education and relaxation, repertoires of songs of various genres). Connection by students and teaching staff to the Google Meet tool and to virtual teaching, in the case of synchronous blended learning, and specific bibliography (paper and electronic).

 

8. VIRTUAL TEACHING SCENARIO

1- TEACHING METHODOLOGY AND TRAINING ACTIVITIES

Training activities

Format (classroom/online)*

Teaching methodology. Description

14 Practical sessions 

Non-face-to-face

Substitution of the 14 face-to-face practical sessions by synchronous and asynchronous online training activities (in those cases in which it is necessary, the contents and musical examples will be recorded beforehand).

14 Theory sessions on the contents of the programme

Non-attendance

Substitution of participative master class sessions, of variable duration, by virtual sessions by videoconference, preferably synchronous, aimed at the whole group.

2 Sessions of directed academic activity (AAD) in small groups for problem solving/exercises and autonomous work

Non-face-to-face

Substitution of the face-to-face sessions in small groups by 2 synchronous online sessions, each lasting one hour.

Tutorials (individual and group)

Non-face-to-face

All tutoring sessions will be held online (synchronous and asynchronous) through the official tools approved by the UJA (Google Meet, virtual teaching), email and other communication channels, if necessary.

 

2- EVALUATION SYSTEM


Regular exams

The evaluation criteria and grading percentages expressed in the Teaching Guide of the subject are maintained. However, the theoretical and practical tests and the handing in of assignments will be done virtually instead of face-to-face, using the tools offered by the telematic means admitted by the UJA: UJA Virtual Teaching (handing in practical exercises), Google Meet (practical tests by videoconference), Google Forms (short answer tests). Thus, this section is as follows: 

Assessment test

Format (face-to-face/online synchronous or asynchronous)

Description

 

Percentage

 

Theoretical exam

Online synchronous (full group)

Replacement of the face-to-face (group) test by an online exam via Google Forms or Ilias. This will contain short answer questions, multiple choice, v/f, auditions, short practical exercises, etc.

20%

Musical practice-performance

Online synchronous (with individual call)

Individual oral test via Google Meet and recordings or montages, in case of small ensembles. Vocal practice, choral singing and conducting (performance of pieces from the repertoire worked on, individual selection, as well as arrangements and/or own creations) will be assessed.

30%

Assignments

Online synchronous/asynchronous

Correction of the required work (individual and group): academic work of analysis and pedagogical intervention on a repertoire of songs. The following aspects will be assessed:

  • Structure of the work.
  • Quality of the documentation.
  • Originality.
  • Spelling and presentation.

30%

Control sheet

Non-presential. Synchronous

Control of face-to-face and/or virtual attendance (Google Meet Attendance) as well as class participation (participant observation) and involvement in the working group.

20%

In order to pass the course, it will be necessary to pass the separate parts (theory exam, vocal practice and individual work).


Retake exams

Evaluation test

Format (face-to-face/online synchronous or asynchronous)

Description

Percentage

Same as in the regular exams (students who have taken the course).

For those students who choose the single assessment (no attendance to the course or delivery of group arrangements), the assessment tests will consist of: theoretical exam (30%), musical practice (40%) and presentation of work (30%) of analysis and pedagogical intervention of repertoire, being necessary to pass all the parts to make the average. The tests and presentations will take place on the official date and time through the virtual teaching tools recommended by the UJA (Google Meet, Google Forms, Ilias).

 

3- RESOURCES

Those stipulated for synchronous and asynchronous virtual teaching (good connection to the Internet and to Google Suite tools -Meet, Forms- as well as to virtual teaching and other free programmes and apps for music editing, audio or music practice (Audacity, Musescore, Virtual Piano, Garage band, A capella, etc.). Likewise, the specific bibliography and repertoire will preferably be provided in electronic format. 

 

 

DATA PROTECTION CLAUSE (on line exams)

Institution in charge of data processing: Universidad de Jaén, Campus Las Lagunillas, s/n, 23071 Jaén

Data Protection Delegate: dpo@ujaen.es

Purpose: In accordance with the Universities Law and other national and regional regulations in force, carrying out exams and assessment tests corresponding to the courses students are registered in. In order to avoid frauds while sitting the exam, the exam will be answered using a videoconference system, being able the academic staff of the University of Jaén to compare and contrast the image of the person who is answering the exam with the student's photographic files. Likewise, in order to provide the exam with evidential content for revisions or claims, in accordance with current regulation frameworks, the exam will be recorded and stored.

Legitimacy: compliance with legal obligations (Universities Law) and other national and regional regulations currently in force.

Addressees: service providers who are the owners of the platforms where the exams are carried out and with whom the University of Jaén has signed the corresponding data access contracts.

Storage periods: those established in current in force regulations. In the specific case of exam videoconference recordings, not before the examination records and transcripts are closed or the exam can still be reviewed or challenged.

Rights: you can exercise your right of access, amendment, cancellation, opposition, suppression, limitation and portability by sending a letter to the postal or electronic address indicated above. In the event that you consider that your rights have been violated, you may submit a complaint to the Andalusian Council for Transparency and Data Protection www.ctpdandalucia.es

CLASS RECORDING CLAUSE PERSONAL DATA PROTECTION

Person in charge: Universidad de Jaén, Paraje Las Lagunillas, s/n; Tel.953 212121; www.ujaen.es

Data protection delegate (DPO): TELEFÓNICA, S.A.U. ; Email: dpo@ujaen.es

Procedure aim: To manage proper recordings of teaching sessions with the aim of facilitating learning process under a multimodal and/or online teaching

Period for record storage: Images will be kept during legal term according to regulations in force

Legitimacy: Data will be managed according to legal regulations (Organic Law 6/2001, December 21, on Universities) and given consent provided by selecting corresponding box in legal admission documents

Data recipients (transfers or assignments): Any person allowed to get access to every teaching modality

Rights: You may exercise your rights of access, rectification, cancellation, portability, limitation of processing, deletion or, where appropriate, opposition. To exercise these rights, you must submit a written request to the Information, Registration and Electronic Administration Service of the University of Jaen at the address above, or by e-mail to the address above. You must specify which of these rights you are requesting to be satisfied and, at the same time, you must attach a photocopy of your ID card or equivalent identification document. In case you act through a representative, legal or voluntary, you must also provide a document that proves this representation and identification. Likewise, if you consider that your right to personal data protection has been violated, you may file a complaint with the Andalusian Data Protection and Transparency Council www.ctpdandalucia.es