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Syllabus 2022-23 - 12213012 - Poetry in the English Language (Poesía en lengua inglesa)
- Level 1: Tutorial support sessions, materials and exams in this language
- Level 2: Tutorial support sessions, materials, exams and seminars in this language
- Level 3: Tutorial support sessions, materials, exams, seminars and regular lectures in this language
DEGREE: | Grado en Estudios ingleses |
FACULTY: | FACULTY OF HUMAN SCIENCES AND EDUCATION |
ACADEMIC YEAR: | 2022-23 |
COURSE: | Poetry in the English Language |
NAME: Poetry in the English Language | |||||
CODE: 12213012 | ACADEMIC YEAR: 2022-23 | ||||
LANGUAGE: English | LEVEL: 3 | ||||
ECTS CREDITS: 6.0 | YEAR: 4 | SEMESTER: SC |
NAME: DEMETRIOU DEMETRIOU, EROULLA | ||
DEPARTMENT: U115 - FILOLOGÍA INGLESA | ||
FIELD OF STUDY: 345 - FILOLOGÍA INGLESA | ||
OFFICE NO.: D2 - 215 | E-MAIL: eroulla@ujaen.es | P: 953213551 |
WEBSITE: - | ||
ORCID: https://orcid.org/0000-0003-1287-9457 | ||
LANGUAGE: - | LEVEL: 3 |
- INTRODUCTION TO THE GENRE
- HOW TO STUDY AND ANALYSE A POEM
- ENGLISH AND IRISH POETRY: A SELECTION OF TEXTS
3.1. English poetry from the Renaissance, Romantic period, Victorian Period to the present day
Sir Thomas Wyatt: "My Lute, Awake!", "The long love that in my thought doth harbour"; Henry Howard "Love that doth reign and live within my thought"; Sir Philip Sidney: Astrophel and Stella (sonnet 18), Edmund Spenser The Faerie Queene: Book I. Canto I sonnets i-v; William Shakespeare: Sonnets IV, XVIII, CXVI, CXXX; Bartholomew Griffin: "Fidessa": Sonnet XXXIX: "My Lady's hair is threads of beaten gold" and John Donne: "The Flea", "The Canonization"; John Milton "When I Consider How My Light Is Spent"; William Blake, Songs of Innocence: "The Chimney Sweeper", "The Lamb", Songs of Experience: "The Chimney Sweeper", "The Tyger", William Wordsworth: "We are seven"; Samuel Taylor Coleridge, "Rime of the Ancient mariner", "Kubla Khan , or a Vision in a Dream"; Felicia Hemans, "Casabianca"; Lord Byron "Don Juan" (selection of stanzas), Percy Bysshe Shelley " A Song: Men of England", "England in 1819"; John Keats, " Ode to a Nightingale", "Ode to a Grecian Urn" and "La Belle Dame Sans Merci"; Elizabeth Barrett Browning "How do I love thee?"; Robert Browning: "My Last Duchess", "Porphyria's Lover"; Alfred Tennyson: "Break, break, break", "The Eagle"; Rudyard Kipling "If"; Robert Brooke: "The Soldier"; Wilfred Owen: "Dulce et decorum est"; Siegfried Sassoon: "Glory of women"; John Betjemen "In Westminster Abbey"; Roger McGough: "Why patriots are a bit nuts in the head", "Vinegar".
3.1. Irish poetry: W.B Yeats, "The Lake Isle of Innisfree", "Sailing to Byzantium"; Seamus Heaney, "Punishment".
4. NORTHAMERICAN, CANADIAN AND CHICANO POETRY: A SELECTION OF TEXTS.
4.1. Puritan poetry: Anne Bradstreet "To My Dear and Loving Husband", "A Letter to Her Husband, Absent upon Public Employment".
4.2. "The Raven", "To Helen"; Walt Whitman: "Spontaneous me" "Out of the Cradle Endlessly Rocking"; and Emily Dickinson: "I die for Beauty - but was scarce", "I Heard a Fly buzz - when I died-".
4.3. Modernism: T.S. Eliot and Ezra Pound. (Students' choice of texts)
4.4. Canadian poetry. (Students' choice of texts)
4.5. Chicano poetry. (Students' choice of texts)
5. POETRY OF EMERGENT LITERATURES: A SELECTION OF TEXTS
(Students' choice of texts).
The students will be provided with the pertinent bibliographical resources for each topic. It will be of vital importance to read these texts to prepare the practical classes which will be closely related to the theoretical content of the subject. Students will have to prepare their practical classes by looking for references and examples following their lecturer's instructions. At the beginning of the term a list of topics will be given out so that the students can choose a topic on which to prepare a written essay and an oral presentation. The lecturer will then suggest both bibliographical and digital references which could help the students with their work.
Students with special educational needs should contact the Student Attention Service (Servicio de Atención y Ayudas al Estudiante) in order to receive the appropriate academic support
S1: 10 % Attendence and participation: Attendence will be obligatory and the student must sign in each class. Students who participate actively in class showing that they have read the pertinent bibliographical references and who are therefore ableto participate in debates and formulate and answer questions on the topics in question will be assessed positively.
S2: 40% The writing of an individual essay and participation
in an oral group presentation. The following will be assessed:
structure of the student's work, its originality (plagerism will be
penalised), the quality of its sources, its organisation, wording
and presentation. All sources used must be cited.
S3: 50% The theoretical-practical exam will consist of
questions on definition of concepts, analisis of texts and
all the material studied in class.
Evaluation system S1 deals with the competences CB3,CB4, E01 and G01. These competences give rise to learningresults R01 and R03.
Evaluation system S2 deals withthe competences CB1,CB2, CB5, E21, E25 and G02. Thesecompetences give rise to learning results R10 and R12.
Evaluation system S3 deals with the competences E11,E13, E15, E23 and G04 and learning results R13 and R18.
- The Mersey Sound. Edition: Revised edition. Author: Adrian, Henri. Publisher: London: Penguin classics, 2007 (Library)
- Sonetos y querellas de una amante . Edition: -. Author: Shakespeare, William (1564-1616). Publisher: Valencia : JPM, D. L. 2013 (Library)
- Poetas ingleses del siglo XX. Edition: -. Author: Medina Casado, Carmelo. Publisher: Madrid: Síntesis, [2007] (Library)
- Living Poetry : Reading Poems from Shakespeare to Don Paterson. Edition: -. Author: Hutchings, William. Publisher: Houndmills, Basingstoke, Hampshire : Palgrave Macmillan, 2012 (Library)
- Poetry : the ultimate guide . Edition: -. Author: Bradford, Richard, 1957-. Publisher: Basingstoke (Hampshire) ; New York : Palgrave Macmillan, 2010 (Library)
- The Oxford anthology of African-American poetry. Edition: -. Author: -. Publisher: Oxford ; New York : Oxford University Press, 2006 (Library)
- The Norton anthology of American literature. Edition: 3rd ed. Author: -. Publisher: New York ; London: W.W. Norton & Company, cop. 1989 (Library)
- TEACHING METHODOLOGY AND TEACHING ACTIVITIES*
*The information in the following tables will depend on the sanitary conditions and facilities available.
Teaching activities |
Format (physical/online)** |
Teaching methodology (description) |
30 theory sessions |
Classes with the students's physical presence up to 100% + online |
There will be 30 theory sessions, each of an hour's duration with the studentsââââ¬Å¡¬âââ¬Â¢ constant interaction |
30 practical sessions |
Classes with the students' physical presence up to 100% + online |
There will be 30 practical sessions, each of an hour's duration where poems will be analysed in depth. |
Tutorials |
Physical presence and online |
Tutorials will be at times with physical presence and at others online (both synchronous and asynchronous) |
Resources: Google Meet, Ilias, email. Turnitin
**It is taken for granted that if the number of students is below the limit allowed in the classroom allocated, all physical presence teaching will be 100%.
- EVALUATION*
2.1. First sitting*
Type of evaluation |
Format (physical/ online, synchronous/asynchronous |
Description |
Percentages |
Final exam |
Physical |
Evaluation of theoretical-practical content |
50% |
Attendance and active participation |
Physical + online |
Recording of the attendance and participation (both physical and online) of the students |
10% |
Continuous evaluation |
Asynchronous work |
An obligatory and individual essay on any poem chosen liberally by each student studied in class. |
10% |
Final project |
Physical + online |
An obligatory essay on a poem chosen liberally from a collection of poems provided by the teacher. The essay must be presented both in written format (asynchronous) and orally in class (synchronous). Depending on the poem chosen, this project may be done either individually or in pairs. |
30% |
Recursos |
|
|
|
*Contingency plan: if at any moment during the teaching period of the semester it were necessary to change from a multimodal or mixed scenario to a remote/distance teaching one, the evaluation applied will be the one specified for the remote/distance teaching scenario.
2.2 Second sitting / Resit *.
Type of evaluation |
Format (physical/ online, synchronous/asynchronous) |
Description |
Percentage |
Final exam |
Physical (synchronous) |
Evaluation of theoretical-practical content |
50% |
Written tasks |
Asynchronous work |
2 individual, obligatory essays chosen liberally by the student from the list of poems studied in class |
30% |
|
|
1 individual essay on one of the poems from the collection of poems for the students' final projects provided by the teacher (not chosen previously by another classmate). |
20% |
Resources |
Google Meet, Ilias, email. Turnitin.
|
|
|
*Contingency plan: if at any moment during the teaching period of the semester it were necessary to change from a multimodal or mixed scenario to a remote/distance teaching one, the evaluation applied will be the one specified for the remote/distance teaching scenario.
- TEACHING METHODOLOGY AND TEACHING ACTIVITIES
Teaching activities |
Format (physical/remote) |
Teaching methodology (description) |
30 theory sessions |
Remote |
Teaching activities through GSuite Meet (synchronous) and recorded classes, set readings and optional readings (asynchronous).. |
30 group practical sessions |
Remote |
There will be 30 practical classes lasting an hour each through GSuite Meet. Poetry analysis. |
Tutorials |
Remote |
All tutorials will be remote, using either GSuite Meet or email (synchronous and asynchronous) |
2 Evaluatio n
2.1. 1st sitting
Type of evaluation |
Format (physical/ online, synchronous/asynchronous) |
Description |
Percentage |
Attendance and active participation |
Online |
Registering of online attendance and participation of all students |
10% |
Continuous assessment |
Asynchronous work |
2 obligatory individual essays chosen liberally from the poems studied in class |
40% |
Final project |
Online |
Oral class presentation through GSuite Meet (synchronous) and written essay (asynchronous) chosen from a collection of poems provided by the teacher. Depending on the poem chosen, this Project may be carried out either individually or in pairs. |
50% |
Resources |
Google Meet, Ilias, email, Turnitin |
|
2.2. 2nd Sitting/Resit
Type of Evaluation |
Format (physical/ online, synchronous or asynchronous) |
Description |
Percentage |
Essay 1 |
Asynchronous work |
Theoretical essay chosen by the teacher |
20% |
Essays 2 |
Asynchronous work |
3 obligatory and individual essays chosen liberally from the poems studied in class during the subject. |
40% |
Project 3 |
Synchronous and Asynchronous work |
An individual oral presentation through GSuite Meet (synchronous) and an individual obligatory essay (asynchronous) chosen from a collection of poems provided by the teacher. (The student will have to choose a poem not chosen by the other members of the class). |
40% |
Resources |
GSuite Meet, Ilias, email,Turnitin |
|
|
Students may deliver all the work included in the second sitting/ resit up to the official date of the exam through the means indicated by the teacher (Turnitin/email).
Institution in charge of data processing: Universidad de Jaén, Campus Las Lagunillas, s/n, 23071 Jaén
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Storage periods: those established in current in force regulations. In the specific case of exam videoconference recordings, not before the examination records and transcripts are closed or the exam can still be reviewed or challenged.
Rights: you can exercise your right of access, amendment, cancellation, opposition, suppression, limitation and portability by sending a letter to the postal or electronic address indicated above. In the event that you consider that your rights have been violated, you may submit a complaint to the Andalusian Council for Transparency and Data Protection www.ctpdandalucia.es
Person in charge: Universidad de Jaén, Paraje Las Lagunillas, s/n; Tel.953 212121; www.ujaen.es
Data protection delegate (DPO): TELEFÓNICA, S.A.U. ; Email: dpo@ujaen.es
Procedure aim: To manage proper recordings of teaching sessions with the aim of facilitating learning process under a multimodal and/or online teaching
Period for record storage: Images will be kept during legal term according to regulations in force
Legitimacy: Data will be managed according to legal regulations (Organic Law 6/2001, December 21, on Universities) and given consent provided by selecting corresponding box in legal admission documents
Data recipients (transfers or assignments): Any person allowed to get access to every teaching modality
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