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Syllabus 2021-22 - 12213012 - Poetry in the English Language (Poesía en lengua inglesa)

Caption
  • Level 1: Tutorial support sessions, materials and exams in this language
  • Level 2: Tutorial support sessions, materials, exams and seminars in this language
  • Level 3: Tutorial support sessions, materials, exams, seminars and regular lectures in this language
DEGREE: Grado en Estudios ingleses
FACULTY: FACULTY OF HUMAN SCIENCES AND EDUCATION
ACADEMIC YEAR: 2021-22
COURSE: Poetry in the English Language
SYLLABUS
1. COURSE BASIC INFORMATION
NAME: Poetry in the English Language
CODE: 12213012 ACADEMIC YEAR: 2021-22
LANGUAGE: English LEVEL: 3
ECTS CREDITS: 6.0 YEAR: 4 SEMESTER: SC
2. LECTURER BASIC INFORMATION
NAME: DEMETRIOU DEMETRIOU, EROULLA
DEPARTMENT: U115 - FILOLOGÍA INGLESA
FIELD OF STUDY: 345 - FILOLOGÍA INGLESA
OFFICE NO.: D2 - 215 E-MAIL: eroulla@ujaen.es P: 953213551
WEBSITE: -
ORCID: https://orcid.org/0000-0003-1287-9457
LANGUAGE: - LEVEL: 3
3. CONTENT DESCRIPTION

  1. INTRODUCTION TO THE GENRE
  2. HOW TO STUDY AND ANALYSE A POEM
  3. ENGLISH AND IRISH POETRY: A SELECTION OF TEXTS

3.1. English poetry from the Renaissance, Romantic period, Victorian Period to the present day

Sir Thomas Wyatt: "My Lute, Awake!", "The long love that in my thought doth harbour"; Henry Howard "Love that doth reign and live within my thought"; Sir Philip Sidney:  Astrophel and Stella (sonnet 18), Edmund Spenser  The Faerie Queene: Book I. Canto I sonnets i-v; William Shakespeare: Sonnets IV, XVIII, CXVI, CXXX; Bartholomew Griffin: "Fidessa": Sonnet XXXIX: "My Lady's hair is threads of beaten gold" and John Donne: "The Flea", "The Canonization"; John Milton "When I Consider How My Light Is Spent"; William Blake,  Songs of Innocence: "The Chimney Sweeper", "The Lamb",  Songs of Experience: "The Chimney Sweeper", "The Tyger", William Wordsworth: "We are seven"; Samuel Taylor Coleridge, "Rime of the Ancient mariner", "Kubla Khan  , or a Vision in a Dream"; Felicia Hemans, "Casabianca"; Lord Byron "Don Juan" (selection of stanzas), Percy Bysshe Shelley " A Song: Men of England", "England in 1819";  John Keats,  " Ode to a Nightingale", "Ode to a Grecian Urn" and "La Belle Dame Sans Merci"; Elizabeth Barrett Browning "How do I love thee?"; Robert Browning: "My Last Duchess", "Porphyria's Lover"; Alfred Tennyson: "Break, break, break", "The Eagle"; Rudyard Kipling "If"; Robert Brooke: "The Soldier"; Wilfred Owen: "Dulce et decorum est"; Siegfried Sassoon: "Glory of women"; John Betjemen "In Westminster Abbey"; Roger McGough: "Why patriots are a bit nuts in the head", "Vinegar".

3.1. Irish poetry: W.B Yeats, "The Lake Isle of Innisfree", "Sailing to Byzantium"; Seamus Heaney, "Punishment".

4. NORTHAMERICAN, CANADIAN AND CHICANO POETRY: A SELECTION OF TEXTS.

4.1. Puritan poetry: Anne Bradstreet "To My Dear and Loving Husband", "A Letter to Her Husband, Absent upon Public Employment".

4.2. "The Raven", "To Helen"; Walt Whitman: "Spontaneous me" "Out of the Cradle Endlessly Rocking"; and Emily Dickinson: "I die for Beauty - but was scarce", "I Heard a Fly buzz - when I died-".

4.3. Modernism: T.S. Eliot and Ezra Pound. (Students' choice of texts)

4.4. Canadian poetry. (Students' choice of texts)

4.5. Chicano poetry. (Students' choice of texts)

5. POETRY OF EMERGENT LITERATURES: A SELECTION OF TEXTS

(Students' choice of texts).

4. COURSE DESCRIPTION AND TEACHING METHODOLOGY

The students will be provided with the pertinent bibliographical resources for each topic. It will be of vital importance to read these texts to prepare the practical classes which will be closely related to the theoretical content of the subject. Students will have to prepare their practical classes by looking for references and examples following their lecturer's instructions. At the beginning of the term a list of topics will be given out so that the students can choose a topic on which to prepare a written essay and an oral presentation. The lecturer will then suggest both bibliographical and digital references which could help the students with their work.

Students with special educational needs should contact the Student Attention Service (Servicio de Atención y Ayudas al Estudiante) in order to receive the appropriate academic support

5. ASSESSMENT METHODOLOGY

S1: 10 % Attendence and participation: Attendence will be obligatory and the student must sign in each class. Students who participate actively in class showing that they have read the pertinent bibliographical references and who are therefore ableto participate in debates and formulate and answer questions on the topics in question will be assessed positively.

 
S2: 40% The writing of an individual essay and participation in an oral group presentation. The following will be assessed: structure of the student's work, its originality (plagerism will be penalised), the quality of its sources, its organisation, wording and presentation. All sources used must be cited.

 
S3: 50% The theoretical-practical exam will consist of questions on definition of concepts, analisis of texts and all the material studied in class.

Evaluation system S1 deals with the competences CB3,CB4, E01 and G01. These competences give rise to learningresults R01 and R03.

Evaluation system S2 deals withthe competences CB1,CB2, CB5, E21, E25 and G02. Thesecompetences give rise to learning results R10 and R12.

Evaluation system S3 deals with the competences E11,E13, E15, E23 and G04 and learning results R13 and R18.

6. BOOKLIST
MAIN BOOKLIST:
  • The Mersey Sound. Edition: Revised edition. Author: Adrian, Henri. Publisher: London: Penguin classics, 2007  (Library)
  • Sonetos y querellas de una amante . Edition: -. Author: Shakespeare, William (1564-1616). Publisher: Valencia : JPM, D. L. 2013  (Library)
  • Poetas ingleses del siglo XX. Edition: -. Author: Medina Casado, Carmelo. Publisher: Madrid: Síntesis, [2007]  (Library)
  • Living Poetry : Reading Poems from Shakespeare to Don Paterson. Edition: -. Author: Hutchings, William. Publisher: Houndmills, Basingstoke, Hampshire : Palgrave Macmillan, 2012  (Library)
  • Poetry : the ultimate guide . Edition: -. Author: Bradford, Richard, 1957-. Publisher: Basingstoke (Hampshire) &#59; New York : Palgrave Macmillan, 2010  (Library)
  • The Oxford anthology of African-American poetry. Edition: -. Author: -. Publisher: Oxford ; New York : Oxford University Press, 2006  (Library)
  • The Norton anthology of American literature. Edition: 3rd ed. Author: -. Publisher: New York ; London: W.W. Norton & Company, cop. 1989  (Library)
7. VIRTUAL / CLASSROOM TEACHING SCENARIO

  1. TEACHING METHODOLOGY AND TEACHING ACTIVITIES*

*The information in the following tables will depend on the sanitary conditions and facilities available.

Teaching activities

Format (physical/online)**

Teaching methodology (description)

30 theory sessions

Classes with the students's physical presence up to 100% + online

There will be 30 theory sessions, each of an hour's duration with the students’ constant interaction

30 practical sessions

Classes with the students' physical presence up to 100% + online

There will be 30 practical sessions, each of an hour's duration where poems will be analysed in depth.

Tutorials

Physical presence and online

Tutorials will be at times with physical presence and at others online (both synchronous and asynchronous)

Resources: Google Meet, Ilias, email. Turnitin

**It is taken for granted that if the number of students is below the limit allowed in the classroom allocated, all physical presence teaching will be 100%.

 

  1. EVALUATION*

2.1. First sitting*

Type of evaluation

Format (physical/ online, synchronous/asynchronous

Description

Percentages

Final exam

Physical

Evaluation of theoretical-practical content

50%

Attendance and active participation

Physical + online

Recording of the attendance and participation (both physical and online) of the students

10%

Continuous evaluation

Asynchronous work

An obligatory and individual essay on any poem chosen liberally by each student studied in class.

10%

Final project

Physical + online

An obligatory essay on a poem chosen liberally from a collection of poems provided by the teacher. The essay must be presented both in written format (asynchronous) and orally in class (synchronous). Depending on the poem chosen, this project may be done either individually or in pairs.

30%

Recursos

  • Google Meet, Ilias, email. Turnitin

 

 

 

*Contingency plan: if at any moment during the teaching period of the semester it were necessary to change from a multimodal or mixed scenario to a remote/distance teaching one, the evaluation applied will be the one specified for the remote/distance teaching scenario.

  2.2 Second sitting / Resit *.

Type of evaluation

Format (physical/ online, synchronous/asynchronous)

Description

Percentage

Final exam

Physical  (synchronous)

Evaluation of theoretical-practical content

50%

Written tasks

Asynchronous work

2 individual, obligatory essays chosen liberally by the student from the list of poems studied in class

30%

 

 

1 individual essay on one of the poems from the collection of poems for the students' final projects provided by the teacher (not chosen previously by another classmate).

20%

Resources

Google Meet, Ilias, email. Turnitin.

 

 

 

*Contingency plan: if at any moment during the teaching period of the semester it were necessary to change from a multimodal or mixed scenario to a remote/distance teaching one, the evaluation applied will be the one specified for the remote/distance teaching scenario.

 

8. VIRTUAL TEACHING SCENARIO

  1. TEACHING METHODOLOGY AND TEACHING ACTIVITIES

Teaching activities

Format (physical/remote)

Teaching methodology (description)

30 theory sessions

Remote

Teaching activities through GSuite Meet (synchronous) and recorded classes, set readings and optional readings (asynchronous)..

30 group practical sessions

Remote

There will be 30 practical classes lasting an hour each through GSuite Meet. Poetry analysis.

Tutorials

Remote

All tutorials will be remote, using either GSuite Meet or email (synchronous and asynchronous)

 

2 Evaluatio n

2.1. 1st sitting

Type of evaluation

Format (physical/ online, synchronous/asynchronous)

Description

Percentage

Attendance and active participation

Online

Registering of online attendance and participation of all students

10%

Continuous assessment

Asynchronous work

2 obligatory individual essays chosen liberally from the poems studied in class

40%

Final project

Online

Oral class presentation through GSuite Meet (synchronous) and written essay (asynchronous) chosen from a collection of poems provided by the teacher. Depending on the poem chosen, this Project may be carried out either individually or in pairs.

50%

Resources

Google Meet, Ilias, email, Turnitin

 

 

2.2. 2nd Sitting/Resit

Type of Evaluation

Format (physical/ online, synchronous or asynchronous)

Description

Percentage

Essay 1

Asynchronous work

Theoretical essay chosen by the teacher

20%

Essays 2

Asynchronous work

3 obligatory and individual essays chosen liberally from the poems studied in class during the subject.

40%

Project 3

Synchronous and Asynchronous work

An individual oral presentation through GSuite Meet (synchronous) and an individual obligatory essay (asynchronous)  chosen from a collection of poems provided by the teacher. (The student will have to choose a poem not chosen by the other members of the class).

40%

Resources

GSuite Meet, Ilias, email,Turnitin 

 

 

Students may deliver all the work included in the second sitting/ resit up to the official date of the exam through the means indicated by the teacher (Turnitin/email).

 

 

DATA PROTECTION CLAUSE (on line exams)

Institution in charge of data processing: Universidad de Jaén, Campus Las Lagunillas, s/n, 23071 Jaén

Data Protection Delegate: dpo@ujaen.es

Purpose: In accordance with the Universities Law and other national and regional regulations in force, carrying out exams and assessment tests corresponding to the courses students are registered in. In order to avoid frauds while sitting the exam, the exam will be answered using a videoconference system, being able the academic staff of the University of Jaén to compare and contrast the image of the person who is answering the exam with the student's photographic files. Likewise, in order to provide the exam with evidential content for revisions or claims, in accordance with current regulation frameworks, the exam will be recorded and stored.

Legitimacy: compliance with legal obligations (Universities Law) and other national and regional regulations currently in force.

Addressees: service providers who are the owners of the platforms where the exams are carried out and with whom the University of Jaén has signed the corresponding data access contracts.

Storage periods: those established in current in force regulations. In the specific case of exam videoconference recordings, not before the examination records and transcripts are closed or the exam can still be reviewed or challenged.

Rights: you can exercise your right of access, amendment, cancellation, opposition, suppression, limitation and portability by sending a letter to the postal or electronic address indicated above. In the event that you consider that your rights have been violated, you may submit a complaint to the Andalusian Council for Transparency and Data Protection www.ctpdandalucia.es

CLASS RECORDING CLAUSE PERSONAL DATA PROTECTION

Person in charge: Universidad de Jaén, Paraje Las Lagunillas, s/n; Tel.953 212121; www.ujaen.es

Data protection delegate (DPO): TELEFÓNICA, S.A.U. ; Email: dpo@ujaen.es

Procedure aim: To manage proper recordings of teaching sessions with the aim of facilitating learning process under a multimodal and/or online teaching

Period for record storage: Images will be kept during legal term according to regulations in force

Legitimacy: Data will be managed according to legal regulations (Organic Law 6/2001, December 21, on Universities) and given consent provided by selecting corresponding box in legal admission documents

Data recipients (transfers or assignments): Any person allowed to get access to every teaching modality

Rights: You may exercise your rights of access, rectification, cancellation, portability, limitation of processing, deletion or, where appropriate, opposition. To exercise these rights, you must submit a written request to the Information, Registration and Electronic Administration Service of the University of Jaen at the address above, or by e-mail to the address above. You must specify which of these rights you are requesting to be satisfied and, at the same time, you must attach a photocopy of your ID card or equivalent identification document. In case you act through a representative, legal or voluntary, you must also provide a document that proves this representation and identification. Likewise, if you consider that your right to personal data protection has been violated, you may file a complaint with the Andalusian Data Protection and Transparency Council www.ctpdandalucia.es